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Showing posts with label #my writing process. Show all posts
Showing posts with label #my writing process. Show all posts

Wednesday, July 5, 2017


This is the July entry for The Insecure Writer's Support Group Blog Hop.


The hop takes place on the first Wednesday of every month.  All are welcome to sign up and participate, and visit the blogs of the other participants.

This month's co-hosts are Tamara Narayan, Pat Hatt, Patricia Lynne, Juneta Key, and Doreen McGettigan. Go visit their blogs, and join in!

The question for July 5 is:


What is one valuable lesson you've learned since you started writing?

That one is easy, though I find I have to cut my way through various good lessons I have learned in my writing path.  You know: setting the scene correctly, keeping your characters straight, avoid cliches, allow for development, let the plot unfold skilfully...  Lots of good lessons that will help you to write better, keep your stories unfolding properly, clarify characters...

A few of my notebooks
But the valuable lesson that underlies all of that, without which I, for one, can't write, is easy and embarrassingly basic.

Write it down.  

To expand: if you get an idea, preserve it in a form that you can retrieve.  

Have access to something that will help you capture the ideas.   Carry a pen and a notebook.  

Wax tablets and stylus: the past never leaves us
Wax tablets and a stylus are rather  cumbersome, but they have served over the millennia.  And if you are writing about the distant past, you can get a feel for how they worked. (Some stores actually still sell them, like this one...)

Enable the dictation feature on your iPhone (if you have one).   Or call yourself and leave yourself a message.  (But do tell your family not to delete such messages until you have had a chance to listen to them.)
  
The important thing is to capture your thoughts.  I have had too many times where I had a brainstorm - a plot twist, the answer to something that had been puzzling me - and thought 'Oh, yeah.  That is perfect!  I'll write it down when I get home.'

A few of my notebooks
The thing is that I often get busy and forget to write that scene when I get home.  In fact, I find myself trying to recall what scene it was, what story line, and what characters.  

We all have a lot going on, whether or not we are writers.  Things that snag our attention, and we're all to willing to succumb to a lovely distraction.  Or a disgusting one.  Sometimes we get tired.  And sometimes life really gets in the way and we lose our focus while dealing with concerns like death, unemployment, friends' celebrations and scooping litter pans.

I started carrying a notebook around with me and jotting down whatever I thought.  Over the years I developed a system with notebooks that were dedicated to whatever I was working on at the moment.  I would date the note, jot whatever it was that I thought and then, once I got around to transcribing it, making a line across the entry.  But what if you are working on, say, a story involving the Cat Show world and you have an idea for something a French veteran of the Napoleonic wars might say?  Write it down as you can.   Or...  Get a notebook with different sections and jot it in there.  It doesn't matter, so long as the idea is captured.

Paper towels work, too...
I worked for a clothing store, part time, a few years back.  I had long stretches where I had to monitor the store's dressing room.  I was working on one of my Egyptian stories at that time, and ideas were coming thick and fast.  I had no way to carry in a notebook, and I needed to capture the ideas/ clarifications/ brainstorms as they occurred...  So I used paper towels.  I wrote a post about it a few years back.  Here's a photo of the notes.  Some are crumpled from being shoved into my pocket.  

Sometimes, if I am at loose ends with a story, I will leaf through my notebooks.   For me, it helps to rekindle the ideas, the sense of adventure.

That is one of the most important practical lessons I learned when I started writing.  Other lessons?  There were plenty.

I'm off to read everyone else's insights.











Wednesday, December 17, 2014

Thought for the Moment: Discipline


A sometimes unwelcome truth...
I stumbled upon this image while thumbing through various ones trying to find something for a book cover design I was working on.  It made me pause and think.

Slow and steady wins the race…haste makes waste…Measure twice and cut once…

They all refer to our need to refuse instant gratification.  To allow the wine to age, to permit the flowers to grow, to let a relationship deepen.  In my case, referring to my writing, it was very hard not to give in and shoot for that ‘Holiday Release’ when I knew jolly well that the book simply was not ready.

I’m older than I was (ten minutes older right now than when I started jotting my thoughts for this post) and I have learned a thing or two despite my best efforts to the contrary.  Around late September of this year I sat back, looked at my ‘Holiday Release’, lowered my head and advised all who were concerned with the book that it simply was  not ready, and needed to be pushed back at least four months.  Everyone was charming about it, and while I still felt the itch to get that wonderful book cover I’d put together out to be seen, I knew I had done the right thing.

Guess what?  I really had done the right thing.

·     The book cover was scrapped and a far better one designed.

·     With the pressure off, I found that the storyline itself was deepening, growing more complex and tighter, and setting up for a really good (I think) finish in the third volume of the series…

·     …which, incidentally, was being pushed toward finishing by my work on the second volume.

The entire effort is far better than it was in September.  And once again I have to concede that impatience is best restrained and time, in matters of creation, is generally an ally.

 

Monday, July 28, 2014

#MyWritingProcess Blog Hop

Today I am participating in the #My Writing Process Blog Hop.  This  is an ongoing blog hop where authors discuss what we do and how.  We take four simple questions about our process, and we pass the word to two other authors.  Sarah Winter invited me.  You can read her excellent blog at  http://www.sarahjwinter.com/                              . 

Her book, Snowbound, is out and available.  Another, I am glad to say, is in the works.

And now for the questions:
1. What am I working on? 
The Orphan's Tale 1: Assassination
At the moment I am working on three separate novels.  The first, The Orphan's Tale, Book II, Vengeance, is a continuation of the First volume in its trilogy, The Orphan's Tale, Book I, Assassination.  The series is set in 1834 Paris, with a main character who grew up in a prison and walked away from the life of a ruler of the criminal world to join the Police of France.  The stories involve romance, action and, always, a mystery.

 
The Memphis Cycle
I am also working on a story set in ancient Egypt, part of a series called The Memphis Cycle.  The Cycle follows a family over the course of a century.  Mystery, romance, revenge, intrigue all make for a wonderful subject, and writing these stories had been enjoyable.  Currently, I am working on Kadesh, which tells the story of a famous battle, a clash between two of that age's super powers,  which led to the first international treaty.  The novel follows a main character who had been three years old in the prior story.
30 Cubit Crocodile

I am also picking away at a fable for children, which I have named The Thirty Cubit Crocodile.  A poor fisherman encounters a huge crocodile, which follows him home.  A cubit being 18", this beast is huge.  …And he isn't quite like other crocs.  Why do the children love him?  Why does he take a dim view of tax collectors?  And why does he follow the fisherman around like a dog and catch fish for him?  The mystery has been a fun one, and I love writing about children. 
You can see more about them at my website, www.dianawilderauthor.com

2. How does my work differ from others in its genre?
I notice that people tend to like to pigeonhole things.  Life is easier when you can put things in categories and know what you will be dealing with.  The genre of 'historical fiction', however, is one of those chameleon-like things.  Basically, it is a story set in the past.  You can have Historical Horror, Historical Romance, Historical Mystery, Historical Hardboiled Detectives (The Marcus Falco series, for example).  That gives a great deal of leeway to a writer.  My stories differ, to the degree that they do, because while my stories occur in historical times, they tell of people like any of us, with the concerns of people through time – the need for love, for shelter, for success and admiration.  I try to convey this reality in my stories.  One of them, Mourningtide, deals with a man, a soldier who became a great  king, who has lost his son unexpectedly and received the news late.  The story follows him as he comes to terms with his grief in anonymity.  It also tells of his second son and the heartaches and challenges he must face and deal with.  Can I tell that story in such a way that the common humanity of the characters is expressed even as the fascinating setting  serves to enhance the story?

3. Why do I write what I do?
I write what I do because I am a people-watcher, in the present and in the past.  There are so many stories to be discovered and shared, born of our common humanity, touching us in ways that are familiar.  We have brothers and sisters in history, people who felt our fears and shared our joys.  It brings a wonderful feeling of sharing and unity, and to convey that is both a joy and a challenge.

4. How does my writing process work?
I get a picture in my mind.  People in a situation.  Something I read, something I observed.  I jot it down, think about it, and as ideas come to me in the course of my daily work, I jot them down.  Sometimes they come to me in a torrent, and capturing them is crucial.  I carry notebooks with me, grab envelopes – anything. to remember the thoughts, insights, scenes.   I caught myself once  walking down a main street in a large city mulling over the best way for a villain to get his comeuppance.  I began to giggle when I thought how surprised people might be if they could read my mind.

As others have said, getting the thoughts down is crucial, however disjointed they may be.  Editing, polishing, thinking things through – all follow from that initial notion.  Which is most important?  I can't say, but I have to do something every day.

And now I refer you to…
 
ARRRRGH!!!
Well…  I am supposed to pass on the baton to two other writers, but at the last moment they did not materialize.  I suspect I did not beg hard enough.  And so I am going to list the blogs of some wonderful writers (and great people) who can show in their works what they do.

Nancy LaRonda Johnson is a well-rounded person and excellent writer who deals with Christian Horror, among other things.  She is a delightful presence in the blogosphere, multi-talented and articulate: http://nancylarondajohnson.blogspot.com

Cathy Oliffe-Webster  http://muskokariver.blogspot.com/ has written flash fiction and a novel.  Both reflect her sense of humor, her observations and a humorous outlook on life, even when it is hard.
 
C. Lee McKenzie at http://writegame.blogspot.com is one of those observant, humorous people who touch difficult issues with a deft hand, and makes the reading enjoyable.

M. J. Fifield at http://mjfifield.blogspot.com/ has published Effigy, her first novel (check out its blog hop). 

The other participant on this blog is Jerrie Brock, author of Something Taken and Something Returned. Jerrie never finds life dull. Working, writing, landscaping, creating model railroads, building projects on her large lot, reading, and restoring old equipment keep her well occupied. Using her less than normal path through life, Jerrie draws on her own experiences to create her stories.

You can see more at www.JerrieBrock.com